circles is the brilliant third single from one of the uks best new bands detachments, the london based neo post punk electronic resistance force led by sebastien marshal.

under the stewardship of alan fitzpatrick (drumcode, figure, bedrock), 8 sided dice is considered one of the most exciting techno labels to emerge in recent times. 9 hours later, amsterdam, gas mask and continue led carl cox, adam beyer, dubfire, john digweed, nic fanciulli and len faki to champion the label, catapulting 8 sided dice on to playlists across the globe. ..

the first release on phonica white limited series is from tokyos iori. this young producers impressive work ranges from woozy ambient electronics to full-on club tracks. the common thread is a highly developed sense of texture and arrangement.a-side galaxy is simply lean, expertly crafted techno, led by a rolling bassline and crisp hi-hats, with hypnotic melody patterns skittering off the surface. its a trippy but accessible heads-down affair that has the depth and the bite to do damage at peak-time and in the after-hours alike. urge on the flipside is an even deeper, sub-heavy cut, an insistent, club-friendly groove swathed in burbling synth arpeggios and fx. despite being stripped-back, the sound design and sheer warmth of the production is incredible. the track really breathes.

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

highly anticipated release with this mixes of this charles webster produced vocal classic formerly released on boombastic. deep, delicious, ultra smooth, sexy, bass led, polished perfection. the vocal is flawless, light with her signature sound. funky guitar, dancing keys and breezy production will take you away!. b side mixes venture into straight up funky territories.

big with: norman nodge, surgeon, dave clarke, peter van hoesen, mike parker, ben klock, marcel fengler, laurent garnier, hell, vince watson, ben sims, cassy, slam, dan curtin, ...
with releases on labels like ostgut, time 2 express and prologue, the finnish producer is one of the leading lights in the new wave of european techno. samuli gets straight down to business on orbiter. based on chugging, insistent drums, the listener is led to a place where repetitive droning sounds, pitched up percussion and robotic bleeps dominate. if ever there was a soundtrack lose your mind to in a dark room, then >orbiter< is it. >metal space< is more considered, but its no less effective. berlin producer mike dehnert rounds off the ep with an excellent, deeply textured take on >metal space<.

smith & mudd follow their second album, le suivant with something that goes a bit darker. side a is a chuggy affair where the beats drive a bit harder than their usual tracks but the lushness and the bass groove are still there. a beautiful electric violin solo takes the second half to a different place. side b is a deep bass journey that sounds like jean luc ponty and terry callier combined with a but of led zep. fantastic stuff. check

it was only a short time ago when these 2 young up and comers made their respective debuts on our label and in the few months between then and now, they have gone on to skyrocket up through the ranks, conquering dancefloors, charts and dj crates-while becoming household names synonymous with quality and consistency.
florian kruse and nils nürnberg need very little introduction these days but for those that have been asleep or living under a rock, a good start would be to check their recent output on fine labels such as nrk, om, moodmusic, dessous and our very own dieb, to name a very select few. their first combined effort on the label has resulted in the >suerte ep<, a tight collection of deep as hell, tech infused house numbers heavily characterized by their attention to groove and addictive, seductive chord progressions that have become a hallmark of their production prowess.
to add some spice to an already sterling and stylized package, we have enlisted our good friend (and also mood music alumnus) alexander maier, to remix the titular >suerte< where he adds his considerable musical vocabulary to the proceedings, peppering a very tasty arrangement with piano chord stabs and throbbing basslines resulting in a gorgeous, summery house re-interpretation that has to be heard to be believed!
as if this werent enough, fresh from an impressive debut on nils and florians save room records we have been lucky enough to secure a percussion led, funk infused remix of >achieving balance< from bright new boys on the block io who round things off nicely and add another dimension to the >suerte ep<.

david keno is going for the trifecta with feast, his 3rd kindisch release of the year. following on from his excellent label debut discoteca, and his storming tout le temps collaboration with jaxson, keno is back with the 3-track smorgasbord that is feast. starting off his career with a number of releases for on corrado izos 1220 label, david keno has since cut his teeth with morris audio citysport edition and frankie rec, and has honed his sound into a fresh combination of masterfully constructed beats, perfectly pitched percussive elements and infectious melodies… all the right elements for dancefloor devestation! feast shows david keno taking a leaf out of the book of us westcoast house pioneers, and giving the sound a new perspective. >bonito< opens with a hint of cheeky latin swing and demi-percussion, before breaking into a tough jacking beat and boompty house bassline. a lone, melancholy string sample in the second half define the track by injecting a touch of unexpected quirkiness into the mix. keeping the momentum going is >808<, a slightly deeper affair based on a throbbing, undulating bassline and conga-led percussion

alexander robotniks futuristic take of the led zeppelin classic has been unearthed from dusty vaults circa 1983. the original may be an acquired taste with its off kilter vocal delivery, however, another version takes this cover to another level dubbing out the vocals and using snippets to devastating effect. a true diamond in the rough, with its synth melodies ropping in and out of the classic riff and running riot, this is prototype electronic disco at its finest

alexander robotniks futuristic take of the led zeppelin classic has been unearthed from dusty vaults circa 1983. the original may be an acquired taste with its off kilter vocal delivery, however, another version takes this cover to another level dubbing out the vocals and using snippets to devastating effect. a true diamond in the rough, with its synth melodies ropping in and out of the classic riff and running riot, this is prototype electronic disco at its finest

• dj-plattenspieler mit riemenantrieb • leistungsstarker motor • finish in gebürstetem aluminium • metallgehäuse • aluminium druckguss plattenteller • gleißend blaues oder rotes advanced-led board • extra schwere ausführung • statisch balancierter, s-förmiger tonarm mit anti skating • pitchbereich +/- 10% • stroboskop-geschwindigkeitskontrolle • sicherheits-netzschalter • anschlussmöglichkeit eines fernstarters • elektronische motorbremse • schockabsorbierende füße • ausfahrbare nadelbeleuchtung • lieferung inkl. slipmat, reloop headshell und audio technica 3600 l system - technische daten • typ: 2 geschwindigkeiten 33 1/3, 45 u/min.), voll manuell • motor: gleichstrommotor • startdrehmoment: > 1000 g/cm • start/stoppzeit: < 1 sek. • drehzahlübergang: < 1 sek. • gleichlaufschwankungen: < 0.25 % wrms bei 33 1/3 u/min. • rumpeln: mehr als 50 db (din - b) • anti-skating-bereich: 0-7 g • einstellbare nadelauflagekraft: 0-4 g • gesamtanschlusswert : 7.5 watt • spannungsversorgung: 115/230 v, 50/60 hz • maße: 450 x 352 x 144 mm • gewicht: 8.6 kg

to those of you who know your techno, shawn rudiman should be a well-known name. a prolific producer, he has nevertheless always kept his quality control on a tight leash, and releases on 7th city, technoir audio, integrated, dust science & matrix (amongst others) have brought him a reputation of being one of the finest producers around of contemporary detroit style (aka melodic) techno. a nice taster on the last minimalsoul release (sashimi hi) has hence led on to a full ep, and its classic stuff...tough beats and esoteric but catchy melodies all tied up with an expansive production ethic make for a great listen, and (perhaps unusually with this style of music) for a great dancefloor experience too!

mountains is brendon anderegg and koen holtkamp, friends since their middle school days. they began exchanging musical ideas and compositions which led to them founding the apestaartje label in 1999. as their collaborations and individual projects blossomed, they decided to create mountains as a vehicle for live performance. a love of sculpting sound in front of an audience is at the heart of mountains. the groupÆs third album, æchoralÆ (their first self-titled release and second album æsewnÆ were both on apestaartje), is the culmination of their work to date and a balanced mix of the first two efforts. mountains are often compared to artists such as brian eno and fennesz, citing their extended melodies and their unique broad guitar work. mountains seamlessly blend pastoral electronic sounds with both field recordings and a plethora of acoustic instruments.the effect is incredibly sublime and hypnotic as the sounds slowly wrap themselves around each other and alter themselves in the mind of the listener. includes free download voucher.

that cheeky chap diamond geezer is back with another banging jungle single on his very own self titled label. featuring the vocals of dancehall veteran spragga ben, sound good is a frantic amen led jungle roller that incorperates old skool edits and some classic soundclash effects and bleeps for good measure making this a dirty little dancefloor number indeed!

enough of this featuring crap, the starring title seems much more appropriate for club siren luciana. as featured vocalist for bodyrox, the hits yeah yeah and planet topped club charts and led to her cheekily titled debut cd featuring luciana. further tracks with mark knight, super mal and martijn ten velden, have cemented lucianas spot as an electro vixen who can deliver hot vocals with a great track. turning her attention stateside, she has teamed up with richard vission & static revenger for i like that. remixes come from new boys meterhead who hail from la and are doing big things in blogland. the track seemlessly blends electro, glitch, rock and hiphop elements with an 80s feel that is both nostalgic and futuristic. limited edition promo get em while you can!!

sven tasnadi is a producer who, with every release, audibly and gracefully takes his style down the many different avenues of house and techno cityà his latest, brave work for poker flat then could perhaps be described as a midnight drive down main street, tempted by and lingering at some of the darker side streets, yet journeying on regardlessà.! its a fantastic ride from tasnadi, that sees two versions of the title cut plus a perfect b side track included for good measure. >habanero< is a tough, tracky concoction of thick bass led percussion, warbling, building sci-fi synths and classy hi-end hats. the unmistakable groove begins low and simply builds upwards, creating a 10 minute cabride through ultra-modern tech house, cuba style! we wont spoil the fun with the tingling breakdowns key momentà but theres also a (without trumpet) version on the b1à.! carrying on the chunky, dramatic vibes, >piri piri< dubs things out as a blissful and unique synth line carries this beautiful journey track along its honest and respectful path. a wonderfully resolute deeper moment from tasnadi, the phasing vocal stutters and pads play together with the central in delightful harmony, reminding us of the producers ear for touching and timeless arrangements

following the success of mylo on breastfed, linus loves has now set up 2112 to showcase his own productions & latest signing, burns. prom night has that linus loves chirpy-bleeped-loopy-synths & smooth ambient balance, starting in a progressive italo-disco manner then slowly buffing its body & picking up speed till it reaches the crowd-cheering climax followed by the moment when all the mixes fall down & the linus loves reinterpretation of the digitalism-zdarlight-synth-guitar-break takes you through a hypno-euphoric intermission / journey before the great powerful departure. burns remix is the dinosaur version of prom night, injecting the original with vulgarity, a tough exterior & makes it more aggressive .dutch superstar don diablo provides the final mix a more breaks led interpretation using the zdarlight guitar riff. radio support plays on pete tong, kissy sell out, sarah main

•profi-geräterucksack •gefertigt aus ballistic-nylon •led-beleuchtung des stauraumes •gepolsterte taschen für serato scratch live und kopfhörer •gepolsterte außentaschen •feuchtigkeitsabsorbierende schulterriemen •integrierte regenhaube •ergonomischer tragegriff •reißverschluss mit sicherungsschloss •individuell anpassbar für 15.4 notebooks und 12 mixer •separater stauraum für mp3-player, cds und vieles mehr •robuste gummifüße

already a mainstay in the scene with admired releases on brother label poker flat, and of course connaisseur, patrick chardronnet returns with a wonderful 2 track ep on audiomatique. a delightfully trippy, post-minimal adventure, ‚piper‘ raises the brow for chardronnet, dropping the big room synths this time in favour of a very organic, low-slung addictive groove. sparse, tricky percussion underpins the headsdown late night vibe, as a drifting ensemble of mystic vocals and haunting horns unfolds over 11 minutes. enchanting, mesmeric and deeply spaced, this reduced-percussive foray explores chardronnet‘s more hypnotic side... a priceless cut of of hybrid house from a modern master. on the b side the driving, textural chimes of ‚dropout‘ ensnare the listener into another beautiful and mysterious world. solid-state, bass-led percussion and crisply-cut percussive fx remain subdued whilst an epic, swirling synth landscape weaves its dreamy tale. suggesting moments of real drama, yet all the while maintaining an addictive, slow burning vibe, its a an amazing journey into this producer‘s remarkable, inimitable sonic world.

•19 zoll 4-kanal rackmixer •16 professionelle digitaleffekte von alesis: hall, reverb, stereo chorus, flanger, delay etc. •eingänge: 5 line, 3 phono, 5 mic •ausgänge: symmetrischer xlr master, record, zone •3-band eq auf jedem kanal •mic kanal mit 2-band eq •hervorragend geeignet für vocal-mixing, karaoke etc. •effekte für jeden kanal frei zuweisbar •vorhörfunktion mit split oder blend-einstellung •regelbarer gain mit led meter •fader start •balance auf dem master fader •auswechselbare crossfader •kanäle zuweisbar

fresh repress !!. the original mix was already big on international deejay gigolo records. with brand new remixes by man of the moment radioslave who delivers a more electro beats led house. lee cabrera houses it up more for a club smash!

lisztomania is the first single of the much acclaimed new phoenix album wolfgang amadeus phoenix . kitsune have asked the new electro scene to remix it and this led to this great and exciting ep! new yorkers holy ghost! (dfa), with this great version of crystal fighters xtatic truth, put everyone in agreement - on their knees. la based classixx deliver a production thats evocative of a corvette in the sun, carefree, before it all gets dangerously heated up. quite convenient too when youre fifteen (at least spiritually) to french kiss for a whole five minutes. finally half of digitalism, der die das, brings the track to the dancefloor with an uplifted and breathtaking version.

infine celebrates with its xviith black chrome release the advent of the town and its >new innerstate strategies<, packages douglas best deep, house and techno beats and features the voice of 2009 springs awakening! the >tofu on ice edit<, a-side of the 12 inch, synthesizes german deep-house sound at its best. led by percussive beats, the voice of delhia reaches the heights of the stomping pleasures without losing the refinement of the original version. on the b-side, >sapphire< is a track which fully deserves its name. as hard on the dancefloors as the peak time should sound like. as blue as an unleashed sea, where dizzying waves break into bubbling beats, spreading the most compelling techno foam.

nice price deal !!! first to step up to the challenge is boxcutter. belfasts barry lynn has an impressive discography including four albums on planet mu as well as releases on his own kinnego records and the hotflush label. remixed during the period of writing that led to his new release arecibo message, it has the same lush sound as that album.

first single from the forthcoming izmo album æearly night. izmo is a young frenchman born in 1984 in paris. he was discovered by harley&muscle a few years back when he tried to get in touch with them.. he started making music at the age of 15 years old , strongly influenced by the ambient and electronica music coming from uk and germany. as years passed by, his frequent holidays in englands midlands led him to discover various club scenes with the 4 to the floor spirit.. from hard stuff to funky and mellow music , izmo was soon found searching for a sound that was calling him... years passed by and izmo is now deep into house music where he finally found his roots in the 90s house music vibe from new jersey , chicago , detroit , england and france. may it be true garage or deep house, the groove, spirit and energy of this period has touched him deep inside and he is now a fierce defender of what he calls true school house music as opposed to old school or new school: i hate when people say that this sounds old school and that style sounds old or whatever...for me, a vibe is timeless ... izmo is also a deep techno head and all sorts of raw dance music.. watch out for his deep jacker and brawther aliases in the future... in summer 2007, izmo releases his first e.p. as a 12 inch on french label 9ts records, and gets a very good response, support and plays by legendary tony humphries... disguised as a tribute to smack productions , his where is eddie e.p. touched people from all different scenes, from deep house to uk garageà in 2008 , he will release his first full length album on little angel records, 14 tracks of strictly deep house music of different moods and atmospheres. izmo is thirsty and he will keep on trying to better his music for the pleasure of the real house heads. keep it underground ! support from laurent garnier, gorge, scope, osunlade, rocco, jay tripwire, dj rork, marlon d, dj dealer & more

2003 electro-house floorburner, remixing led zeppelins >smoke on the water<.

we re not sure if theres been a whole lot of russian vocal led synthy disco around of late / ever, but we definitely like the idea of it. and so we have the first release on the brand new tirk affiliated label nang. d pulses sound is a sonic cocktail that represents the different flavours of its ingredients. great for dancing, as well as regular home listening, making love or preferably cooking. you can call it russian house, full of spirit, soul and its own philosophy. now on to the tunes. the foto mix of more combines cold robo synth bass and stripped back rhythms with the haunting tale of love, loss and the ultimate fulitility of existence (probably). the original mix lives up to the live jam side to the d pulse manifesto with organic funk and jazzy chops leading the way. fellow russian alcos coolkas carries on where his new work on tirk left off, with simple but sparkling and sophisticated electronics working away with snippets of the vocal to mesmerising effect. the package rounds off with the spacey, warm, instrumental highway to saturn. nang has launched!

melbourne based junji masayama swerves his debut bearfunk release flying in from leftfield in the guise of his green circle ep. its a fine four tracker for which the adjective eclectic was surely made. smatterings of disco sensibilities, bleepy house, deep groove & squelching synths. green circle leads the pack with all its underground rhythms and chunky synths. monotone radio is a drum led wonk soundscape whilst sponge feet is one for the more uptempo alternative disco floors. oyster rounds things off with more eclectic beats and disco firefly darting keys. one for the varied tapestry that is bearfunk.

berlins tech house supremo, oliver koletzki lends his talents once again to the hell yeah stable with massive double a side single, >yes we can< & >nascita of the monsters<. both tracks feature olivers deep, infectious formula and never fail to stir up a frenzy from the caverns of fabric to the led lights of watergate in berlin. already a cult figurehead in his native berlin, oliver brings his brand of quality techno across borders, with an enviable list of live dates around europe and a slew of sought after releases on various labels like great stuff, trapez, stil vor talent, flash and hell yeah. after the critical acclaim of his last release on hell yeah, >music from the heart<, east berlins perennial bad boy teams up with roland clark of defected fame, who has worked with our very own fat boy slim and chemical brothers, for a unique emotive off-beat introductory track

bearweasel are london-based duo dean muhsin and louisa page, a pair who in less than a year have a string of singles and remixes for some of the best labels around including 8-bit, tsuba, supernature, perc trax and murmur. the >sorry for nothing ep< is build around two original recordings, >risk< and >many more< and also features a remix from moon harbours dan drastic. first out of the gate is the original of >risk<, a track built around a shuffling percussion led groove. the spacious arrangement, intense stabs and low-key bassline lend a depth and quality to this cut that make it truly sublime. simple, understated yet devastatingly effective. next up, dan drastic reworks >risk<, turning in a remix that stays true to the original whilst imprinting things with his own sound. the drums are toughened up and the vibe is a little more dubbed out, providing an alternative that sits perfectly alongside bearweasels primary production

when the drum calls is delivered two ways. the extended mix taunts you with piano stabs and vocal chants riding over a conga led groove. on the flip ron strips it down, takes out the main bassline, and gives you room to layer while giving you a percussive workout..

nice price deal !!! early support from: 2000 and one, simon flower, patrice bäumel, ed davenport, dj pierre, bjoern stolpmann.... whether it was fate or chance that led to this extraordinary combo - who knows. anyway, one fine day these two talented artists from two different continents met in cologne, became friends and have been regularly working in the studio ever since to conjure up their own interpretation of house music. following releases on labels such as >squonk< and >brut!<, with their first ep on niveous. pawas and beume once again stylishy bridge the gap between deepness and dancefloor. a wonderful ep

pierre lx is a french deep house producer based in london. he had graced our first initial + release with his melancholic wonder madeleine . to start off 2009, we are offering his first proper 12inch release on initial cuts, with 2 deep cuts in true circa 95 old school chicago style. influenced by the sound of artists such as ron trent or chez damier, and labels like balance/prescription, pierre grants us with the sunny sketch drive , and percussion led gabita . 2009 is not looking that dark after all! also, we have asked old school/new school us house legend dj jus-ed to produce a remix of sketch drive . the result is a deep housers dream track, pure us style deepness.

boxcutters work, due to its bass-led and rhythmically 2 step nature, is often categorised as dubstep, although in style and idiosyncracies has more in common with idm artists such as squarepusher and ? ziq. together with kinnego flux the belfast based band/ensemble. funk and soul music with electronics using instruments, vocals, computers and hardware synths and modules.

supported by move d, fred p, keith worthy, dj deep !! jitterbug began djaying at the age of 15 in the uk. and now more than 10 years later, has as much passion and enthusiasm for it as ever. chicago house music became his first real love, blown away by the rough yet soulful grooves of producers like gemini and cajmere, and the hard, funky sounds of labels like relief records, prescription, and dance mania. detroit techno followed suit, and a strong fascination for the roots and history of dance music led to a love for black music in all its many

jay haze teams up with d:exter on his latest single, “can’t forget , an homage to mr. lee’s chicago house classic - with remixes from dj sneak, abe duque and fuckpony. jay haze has always been inspired by chicago house, but never more overtly than on his update of the 1987 trax records hit “can’t forget . taken from jay’s latest album love & beyond, the track became a favorite among djs, distinguished by the soulful paranoid from frequent vocal collaborator d:exter. on this new single, “can’t forget” appears in four new iterations, courtesy of “original house gangster” dj sneak, eponymous label owner and part-time gigolo abe duque, philly-based lil dirrty ghetto bastard, and jay himself under his fuckpony guise. several mutant strains of house music are present, from techy to piano-led to deranged acid.

electric arguments is the first fireman album in 10 years, and this song based album couldnt be more different than its predecessors. for those who dont know by now, the fireman is a collaborative project between music icon paul mccartney and revered producer youth. the pair first worked together in the 90s when they made two ambient dance albums. originally the firemans identity was anonymous and was eventually revealed by the press as being paul and youth. in september it was announced that the fireman would this year release their first brand new material in a decade and this time there was a big difference - the duo had found their voice. speculation began, one studio insider was reported as saying the new songs sounds like arcade fire meets led zeppelin. certainly so far, anyone who has already heard the album has commented on just how accessible electric arguments is, compared to the first two fireman albums. this album is an eclectic and diverse collection of songs that show paul is still interested in pure musical possibilities. each track was written and recorded in the space of one day. the fireman went into the studio with no plan or clear direction of how they wanted the album to sound. the project took a life of its own and the results will surprise anyone expecting to hear the previous sound of the band.

shafunkers are the manchester based production duo alex mcculloch and austin moore. after a random meeting at salford university in 1997, they quickly realised a shared passion for music production and they began their musical partnership by creating drum n bass and breakbeat tunes under the guise of sinewave. both classically trained musicians with influences ranging from jazz to the beatles, the duos mutual love of dance music eventually led to them to start producing house music together. tick tock is no exception to their remarkable quality, in fact alex has described it as some of their hottest work to date. a catchy, melodic hook floats effortlessly over quirky electronic percussion. remixed by danny freakazoid and ben hoo.

berlin-based belgian producers sierra sam & marcus vector present the debut release of d.i.y. (dumb irresponsible youth), their new house-oriented project. sierra sam (toysforboys, einmaleins, trapez) and marcus vector (toysforboys, nomor, playground) recently released their first joint effort for contexterrior. working together once again, this time around theyve put aside their usual dark techno inclinations, opting instead for uninhibited house led by analog percussion sounds. drumroll, please… >pimp my saw< is a frenzy layers and layers of toms, kicks, steeldrums and clicks. >screw it up< is a more melodic affair, with the classic build-up and tension that defines classic house material, plus a hint of latino finesse. on the flip, >hammer of love< closes things out with a shuffly balance between the organic and the artificial, with looming atmospheric ambience to set a darker tone. these three tracks are the perfect tools to use where the sun dont shine. (that would be the nightclub, you pervert!)

coyote return with a 4 track ep featuring the remix power of the mighty windsurf. >single handed< is a melodic uptempo percussion led groove, pianos and lush strings combine to uplifting effect whist still maintaining the balearic/dub vibe. >mongolia< is a more moody affair, a slo-mo voodoo trance stomp that takes you to the darker side of the balearic beat. >lay back< is a caribbean beach boogie featuring all the usual coyote elements, a slice of sunshine for the winter. windsurf step up to remix lay back to create a beautiful slice of pacifica, keeping up the high standard of remixing that is it balearic is becoming known for. the revolution continues… coyote back doing what they do best is it balearic…?-oh yeah

das reloop access.2 mischpult wird besonders durch ein ästhetisches design und eine klare aufteilung dominiert. eine komfortable bedienung sämtlicher features rundet dabei das mixerkonzept ab. volle klangkontrolle und eine gesonderte led für das vorgehörte signal ermöglichen dem dj optimale klanginteraktion.features: 2+1-kanal-mixer, sehr guter klang, cue-mix mit mini-fader, crossfader mit einstellbarer curve, umkehrbar, 3-band-equalizer für beide kanäle , 2-band-equalizer für mikrofon 1, extra led für vorgehörtes signal, leichtgängige fader

mit dem rmx-40 dsp ltd. stellt reloop die exklusive designvariante des erfolgreichsten 4-kanal-profimixers aus der deutschen dj-schmiede vor. die limited edition des 40ers ist mit einem komplett in weiß gehaltenen interface ausgestattet: deckplatte, drehpotentiometer und faderknöpfe erstrahlen allesamt in der inneneinrichtunsgfarbe des jahres 2008. damit schlägt reloop die brücke zwischen qualitätsinstrument für professionelle djs und lifestyle-objekt. die pure farbgebung des mixers erhöht zudem die funktionalität des ohnehin sehr strukturiert aufgebauten pultes: da die led-aussteuerung und die effekt-displays mit dem weiß in besonderem maße kontrastieren und so noch besser ablesbar sind. der reloop rmx-40 dsp ltd. - das neue traumobjekt für hippe lounges, gehobene clubbing venues und dj-wohnzimmer mit stil.

new mathematics signing bocca grande (dj trio & pianist yucaco) give us three top notch piano-led tunes in a tasteful blend of house & techno aesthetics, classical piano and ambient elements to boot. label boss hieroglyphic being shows up to give them a dancefloor re-fix on the flip

having established a cult following on the strength of their previous eps the coyote crew have crafted another blissfully laid back ep of the highest quality. chugging and dreamy in equal measure, these four cuts range from spoken word narrated grooves, to dubbed out acoustic guitar led genius. they have even drafted in the dub disco maestro that is rune lindbaek to supply an extra special remix! coyote back doing what they do best. is it balearic? oh yeah!

niederflur are back on minus with the typo ep, dropping science with a quintet of class a cuts that mark another step on their evolutionary ladder

swedens speedmarket avenue are a a pop music collective led by a little guy who looks like a cross between charles manson and marc bolan. their new album is, without a doubt, one of the musical highlights in 2008 for all pop lovers! their debut album im going to let my new swiss army knife answer to that, was packed ful of jangle pop reminiscent of label 53rd and 3rd. the band have played various european festivals and collaborated with camera obscura on their lets get out of this country album thanks to the mutual connection of producer, jari haapalainen. under his direction, they ve now recorded their second album, way better now. an absolute beauty from beginning to end replete with precious pop melodies in a non conventional way, imaginative arrangements and an omnipresent trumpet. limited to 600 copies on vinyl.

the 5 beats parisian head takin us to a fascinating one way trip straight to the epicenter of the lectromatrix on the vibrant synth led the journey opening this 2 tracker with the result guaranteed to blow your minds up. and he seems even goin further on the bouncing hades foreshadowin what might pretty well be considered as a piece of - call it whatever - garagey tech or techy garage...

this monster is led by a growling, glitchy reese that drives this beast of a tune into an earth-shattering bass drop. paired with the punishing breaks and lethal edits guarantees a huge reaction every time its played. completely relentless, this one is for the dancefloor